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Large Format E.Ink Screens

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Antony Cairns
LPT34, 2024
Large Format E.Ink Screen
E.ink screen encapsulated in Perspex box, negative Date 2012, custom-made, hand-painted wooden shelf
18cm x 22cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
LND4_59, 2024
Large Format E.Ink Screen
E.ink screen encapsulated in Perspex box, negative Date 2018, custom-made, hand-painted wooden shelf
18cm x 22cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
LA_LV057, 2023
Large Format E.Ink Screen
E.ink screen encapsulated in Perspex box, negative Date 2012, custom-made, hand-painted wooden shelf
18cm x 22cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
Certificat d'authenticité
© Antony Cairns
Antony Cairns
LND4_020, 2024
Large Format E.Ink Screen
E.ink screen encapsulated in Perspex box, negative Date 2018, custom-made, hand-painted wooden shelf
18cm x 22cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
PVG (shanghai) 023, 2024
Large E.Ink Screens
E-ink screen encapsulated in Perpex box. Negative Date 2023
18 cm x 22 cm
Frame: 32 cm x 33 cm x 4 cm
Unique artwork
Certificat d'authenticité
© Antony Cairns
Antony Cairns
PVG_026, 2024
Large Format E.Ink Screen
E.ink screen encapsulated in Perspex box, negative Date 2023, custom-made, hand-painted wooden shelf
18cm x 22cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
LND026, 2023
Large Format E.Ink Screen
E-ink screen encapsulated in Perspex box, negative Date 2012, custom-made, hand-painted wooden shelf
22cm x 18cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TY03_105, 2023
Large Format E.Ink Screen
E-ink screen encapsulated in Perspex box, painted wooden shelf, negative Date 2018
22cm x 18cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
OSC_56, 2024
Large Format E.Ink Screen
E.ink screen encapsulated in Perspex box, negative Date 2015, custom-made, hand-painted wooden shelf
18cm x 22cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
LND4_019, 2024
Large Format E.Ink Screen
E.ink screen encapsulated in Perspex box, negative Date 2018, custom-made, hand-painted wooden shelf
18cm x 22cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
Certificat d'authenticité
© Antony Cairns
Antony Cairns
TYO5_120, 2023
Large Format E.Ink Screen
E-ink screen encapsulated in Perspex box, negative Date 2019, custom-made, hand-painted wooden shelf
22cm x 18cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
© Antony Cairns
Antony Cairns
LND06, 2024
Large Format E.Ink Screen
E-ink screen encapsulated in Perspex box, painted wooden shelf, negative Date 2012
22cm x 18cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO4_014, 2024
Large Format E.Ink Screen
E-ink screen encapsulated in Perspex box, negative Date 2019, custom-made, hand-painted wooden shelf
22cm x 18cm
Frame: 32cm x 33cm x 4.2cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns

The Large E.Ink Screen is the “large” version of the first E.Ink screens developed by Antony Cairns in the early 2020s in preparation for the exhibition of his work at the Victoria and Albert Museum (2023). Antony Cairns began downloading scans of his photographs onto old Kindles, removing the screens to permanently fix the digital ink. These images, which evoke the degraded quality of VHS tapes, show buildings with barely visible lines, giving a timeless impression akin to 1980s science fiction. If they didn't have titles, they could be mistaken for corrupted screenshots from Blade Runner,” notes Antony Cairns, who admits to having been influenced by cyberpunk novels. Yes, there is a dystopian element to my work.” Antony Cairns has photographed many megacities, seeking to create an archive of what they are and what they might become. He observes that, despite the geographical differences, “whether you're in Shanghai or New York, all these cities look the same. The same architects, the same ephemeral quality. Their sole purpose is to make you consume and leave. So he captures the atmosphere of these spaces, hoping his images will make you wonder: Is this really the future you see?