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E.Ink Screens

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Antony Cairns
LDN3_153, 2011
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
NYC2_05, 2021
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO3_53, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
OSC2_022, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
LDN3_102, 2020
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2014
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
OSC66, 2021
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2016
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
SEOUL_018, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
© Antony Cairns
Antony Cairns
LPT18, 2016
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2013
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO4_057, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO3_017, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
OSC2_015, 2021
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO3_65, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
SEOUL_017, 2021
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO3_106, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
© Antony Cairns
Antony Cairns
TYO4_048, 2021
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO4_004, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
© Antony Cairns
Antony Cairns
LA-LV_57, 2016
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2015
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO4_010, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
© Antony Cairns
Antony Cairns
TYO4_014, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
© Antony Cairns
Antony Cairns
TYO4_011, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
LDN010, 2011
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO4_012, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
© Antony Cairns
Antony Cairns
LDN025, 2011
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO4_028, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
OSC_64, 2015
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO4_039, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO3_04, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO4_050, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO3_32, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO4_086, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO3_33, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
LA-LV_58, 2021
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2015
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO3_66, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
LA-LV_71, 2021
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2015
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns
Antony Cairns
TYO3_47, 2019
E.I.
E-ink screen encapsulated in Perpex box. Negative Date 2019
10.1 cm x 12.9 cm
Frame: 20 cm x 20 cm x 3.2 cm
Unique artwork
Certificat d'authenticité
Available
© Antony Cairns

In 2023, when he was invited to exhibit his work at the Victoria and Albert Museum, Antony Cairns downloaded scans of his photographs onto old Kindles, removing the screens to permanently fix the digital ink. These images, which evoke the degraded quality of pirated VHS tapes, show buildings with barely visible lines, giving a timeless impression akin to 1980s science fiction. ‘If they didn't have titles, they could be mistaken for screenshots from Blade Runner,’ notes Cairns, who admits to being influenced by cyberpunk novels.


Over the years, Cairns has photographed many cities around the world, seeking to create an archive of what they are and could become. He observes that, despite the geographical differences, ‘whether you're in Shanghai or New York, all these cities look the same. The same architects, the same ephemeral quality. Their only aim is to make you consume and then leave. So he captures the atmosphere of these spaces and adapts his technology to their ambience, hoping that his images will ask you: ‘Is this really the future you see?